Richard Osman’s The Tuesday Murder Club series has a lot to read, but crime isn’t the best. Featuring “Four Harmless Pensioners” Elizabeth, Joyce, Ibrahim and Ron, who live in an exclusive retirement home in the fictional village of Fairhaven near Kent, this record-breaking bestseller describes gruesome murders and mayhem. is not. On the contrary, Osman’s heartwarming and entertaining tales of friendship, aging, and the irreversibility of change Book.
In the third installment of the series, there are two murders to solve. Bethany Waits, one of her journalists for Investigative Television, was chasing a VAT scam and disappeared in the middle of the night, causing her car to fall off a cliff and her body was never found. Another is a murder that has yet to be committed.
The four team up with Mike Waghorn, Bethany’s former colleague and mentor, and Pauline, the channel’s makeup artist. There’s PC Donna De Freitas and her senior, her DCI girlfriend Chris Hudson, and of course Polish immigrant Bogdan, with its quiet efficiency and total devotion to Elizabeth and her husband, Stephen. Together, they embark on an adventure that takes them from Staffordshire to London to Sussex, intercepting the floating pool of an apartment building that is a wonder to Joyce, a money launderer, bitcoin investor and ex-KGB hitman. To do.
It’s a wild ride, guaranteed to produce the kind of vague warmth and deep laughs the series has guaranteed from the beginning, but the third book is special because it deals with other changes. Former MI6 spy Elizabeth’s quiet desperation and intense love, which sinks in quickly to dementia for Steven. Many of her three other members of the club’s quirks, and she’s a big problem facing PC Donna: Is it really love that she and Bogdan have come to share? ?
Co-host of a popular quiz show in the UK, Osman’s aged world plays out the absurd on many levels and does it very well, but what shines in the series, especially in this novel, is age. The experience is that it’s hard to beat. In a world designed to cater to young and restless people, age gives grace, empathy, and even the most dynamic and witty of it all a warning that time dries up.
Each book in Anthony Horowitz’s Hawthorne series is a thriller in every sense of the word, but his latest, The Twist of a Knife, has an added bite. he becomes a murderer Does that seem like too many presents? please do not worry. Horowitz (that is, the real thing) has enough bait to turn the pages and uncover the truth about the murders.
When The Sunday Times theater critic Harriet Throsby was murdered, our mystery novel immediately stinks of criticism of the play Mindgame (written by the real Horowitz, by the way). House and his collaborator, former Metropolitan Detective Daniel Hawthorne, had to do. Negotiate a maze of clues to uncover the killer’s identity.
Red herring abounds, including many references to true Horowitz works, Midsommer Murders, the long-running British detective television series, and many references to the genre’s Golden Age classics. Hard to miss: Agatha Christie’s Roger Ackroyd (1936), or Alfred Hitchcock’s film The 39 Steps (1935). All clues point to the involvement of the fictional Horowitz — the obnoxious and thoroughly hated critic Throsby had just panned his play. The murder weapon, the dagger, is from the writer’s collection and bears his fingerprints.
But Hawthorne is not convinced. “…If he killed every critic who said something bad about his work, there would be hundreds of corpses scattered across the country,” he says. The cast of Mindgame — star Jordan Williams, up-and-coming Welsh actor Tyrian Kirk, and Skye Palmer — met producer Ahmet Yurdakr and director Ahmet Yurdakr at a backstage party on the opening night of the theater. Like Ewan Lloyd, I was able to get on par with the critics. Who had the time, motive, and opportunity to commit the crime, and who disgusted Horowitz and framed him for the crime? , peels back each layer of mystery with great sobriety.
ink black heart
In The Ink Black Heart, Robert Galbraith (a.k.a. J.K. Rowling) gets to the heart of the darkness lurking deep within the web and the toxicity it can create. Volume 6 of the popular Harry Potter series is a controversy that has plagued her since 2020, when the writer of her series made transphobic statements about gender identity and biological sex. Despite the explanation, a ferocious social announcement was made shortly after her media attack. on what guides her views and her absolute support for transgender rights.
However, when Edie Ledwell, co-creator of a hugely popular online comic, calls Cormoran Strike and Robin Ellacott’s detective agency to find Anomie, the relentless online troll who’s been harassing her. The agency, which as usual is understaffed, is in no position to take the case, but it is not until Ledwell is soon murdered that her co-creator, Josh Bray, is killed. The agency gets involved in the case when the is attacked. The pursuit of anomie leads them to the web — a place where anxiety and egos, personal agendas and organized propaganda are amplified as manifestations of moral outrage, toxic fandom and virtue signals. and Ellacott must piece together the mystery and contend with their own feelings for each other. , this book could have been edited more rigorously, but this is a heavy strike novel that explores the very real threat of social media and how easily and effortlessly it spills over into real life. is.
The popularity of crime shows on OTT platforms, especially those featuring serial killers, is attested only by the proliferation of shows that put killers in the obscure zone of semi-sympathy and often uncharacteristically glamorous. will be In her alternate life, Danya Kukakfa, who works as a literary agent at her Trellis Literary Management in the United States, in her novel Record of Executions, published in early 2022, tells a continuum throughout the story. Unravel the killer’s mind. It’s riveting in that range.
Death row serial killer Ansel Packer has just 12 hours to live. Although he is reconciled to his fate, he considers himself someone whose story deserves a celebration. But that’s a story he shouldn’t be telling. Kukakufa instead chose to tell it through the women around Packer—his mother Lavender. Ansel’s wife’s twin sister, Hazel. And homicide detective Saffie, once tormented by Packer, devoted herself to the cause of bringing men like him to justice. Alternating between the date of Packer’s execution and this story of his life told through his three women, Kukakufa takes up the idea of a serial killer that dominates cultural narrative, especially in the West, and narrative. explores the nuances of justice, trauma, and empathy through It’s suspenseful, taut, and full of atmospheric details.
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